Immediate Hug

Make some noise

0 notes

宝贝

这里你好久没来了,我知道都是我的错。

不知道你看的电影进行到哪儿了。真想陪着你。

我爱你,想你。

0 notes

存档III

Take A Break

Turn off the computer and read a book over the holiday. Here’s the reading list my contributors compiled (big thanks to Dude). I think we can all take a little time to become better at talking about pictures next year (Thanks Robert). Who knows we may need to defend ourselves.

Looking at Photographs: 100 Pictures from the Collection of The Museum of Modern Art by John Szarkowski

Ansel Adams at 100 by John Szarkowski

The Photographer’s Eye by Szarkowski

Camera Lucida by Roland Barthes

Perception and Imaging, 3rd edition by Dr. Richard Zakia

Photographers on Photography; Lyons, Nathan (ed.)

Photography until Now; Szarkowski, John

History of Photography, From 1839 to the Present; Newhall, Beaumont

The Decisive Moment; Cartier-Bresson, Henri (read the introduction essay)

On Photography; Sontag, Susan

Ways of Seeing; Berger, John

Bystander: A History of Street Photography; Meyerowitz, Joel and Westerbeck, Colin (specialty but a very good book)

What do Pictures Want?; Mitchell, W.J.T.

Richard Avedon: Evidence 1994; Avedon, Richard (read the essays)

Helmut Newton’s autobiography

The Camera”, “The Negative”, and “The Print” by Ansel Adams

Robert Adam’s “Why People Photograph

Beauty in Photography” Robert Adam’s

On Being A Photographer’ by David Hurn and Bill Jay

Creating a Sense of Place” by Joel Meyerowitz

W. Eugene Smith: Shadow and Substance the Life and Work of an American Photographer – by Jim Hughes

Stephen Shore’s recent re-release of “the Nature of Photographs

The daybooks of Edward Weston

Scenes of Wonder and Curiosity by Ted Orland

California and the West by Charis Wilson and Edward Weston

Updated:

The Photograph as Contemporary Art” by Charlotte Cotton

L’Amour Fou: Surrealism and Photography; Rosalind Krauss, Jane Livingston and Dawn Ades.

Reflex: A Vik Muniz Primer; Vik Muniz and Lesley Martin

At The Edge of the Light: Thoughts on Photography and Photographers, on Talent and Genius; David Travis

Rebecca Solnit book about Edweard Muybridge’s strange life; it’s called River of Shadows

from http://www.aphotoeditor.com/2007/12/20/photography-books-talking-about-photography/

0 notes

存档II

Portfolio Website Design

I think we’re all aware that the portfolio website is a very important tool for photographers and I’ll go so far as to predict that it will soon replace printed portfolios (bold, I know), so I wanted to create a quick reference guide for photographers looking for templates or designers or examples of portfolios that I like.

Flash vs. Html: I love flash. Photos look better in flash and there’s no way around it. There’s an argument floating around about using html so google can read/rank your website better that people seem to be confused about. It’s not so people can find you by name it’s so that people can find your images with google. If your photos are embedded in flash then the search engine doesn’t know you’ve got a killer photo of Richard Branson and when my Creative Director does a google image search to trounce the lame Corbis images I presented yours will not be in the results. Thats a problem. I think you will need a stock and a portfolio website to solve it.

There are other problems with flash as well, like incompatibility and deep linking issues but I still think the image quality trumps all that shit.

Livebooks: I’ve said it before, “I love livebooks.” They revolutionized the online portfolio. Big, vibrant photos and not much else. I’m not shillin’ for them at all and I can honestly say photographers have risen a notch in my book by switching to their product. Contributor Terence Patrick coined it “the black leather portfolio book of the web.” That’s how I feel about it as well. If you can’t beat it, don’t bother.

Famous Photographer Websites: Don’t look to them for inspiration. Check out Martin Schoeller’s website (here). Now google Martin Schoeller (here). Olivier Laude said in a previous post that the ultimate website is endless hits on google.

Ok, here’s what I’ve got. Please add to it and I’ll update.

Template websites
APhotoFolio

SiteWelder

FolioLink
LiveBooks
Other Peoples Pixels
Click Booq
Evirium
Blue Domain
Picaholic
Site Design Works
Big Folio
Parade
Creative Motion Design

Custom designed websites
Robinizer
Group 94
Neon Sky
I House Design

Free designs or DIY
Pixel Post
Movable Type/
Indexhibit
WordPress (Big UP)

My favorite creative sites
Jason Fulford
Matthew Mahon
Tanit Sakakini

The best I’ve seen for displaying photography
Nick Cobbing

Here are some my contributors like
Great flash sites:
Jeff Wall Exhibitiion
Filippas Medhagensund
Lauren Greenfield

Jeremy Cowart
Tom Nagy

Red wrote: HTML rules.
Erik W
Yerin Mok
Eliot Shepard
Alec Soth

First, a good flash site: Todd Hido
Second, a good CSS/HTML site: Graeme Mitchell

Fazal Sheikh
Jacob Holdt

Elizabeth Weinberg.com

from http://www.aphotoeditor.com/2008/01/31/portfolio-website-design/

0 notes

存档

Photo Book Publishers

A good source for standalone photo essays to publish in a magazine is the upcoming books lists from photo book publishers. A few of the big publishers like Chronicle or W.W. Norton will do photography books but generally the good stuff is with the specialty publishers. It’s interesting to note that the literary publishers are extremely proactive about shopping the first serial rights around to magazines for publicity but it’s rare for a photography book publisher to do that so you’ve got to go look at the upcoming lists yourself and see if there’s something worth pitching to the editor. I’m working on a project now that needs a couple photo essays so I thought I’d share my list:

21ST Editions
Aperture
Arena Editions
Chris Boot
D.A.P.
Dewi Lewis
Farewell
Foil Web
Hassla
J and L
Kehrer Verlag
Lodima
Loosestrife Editions
Monacelli
Nazraeli
Phaidon
Pond Press
Power House pH
Prestel
Quantuck Lane
Radius
Sasquatch
Scalo
Steidl
Taschen
teNeues
Trolley
TV Books
Twin Palms
Umbrage Editions
Watson-Guptill

Photo Eye publishes a newsletter with upcoming releases. Always a good resource.

More in Europe:
Apeiron
Edition Braus
Hatje Catz
Lunwerg
Mets & Schlit
Peliti Associati

from http://www.aphotoeditor.com/2008/05/21/photo-book-publishers/

0 notes

发现两个摄影师

喜欢的

一个叫Ann Walters

http://everyday-i-show.livejournal.com/104216.html

还有一个在flickr上发现的 Samuel Bradley 作品良莠不齐不过有些我还蛮喜欢的:

他的网站:http://cargocollective.com/samuelbradley (一定要看PORTRAITS这组里面的第11张哦,xixi)/身材!/

他的flickr(相对网站来说 flickr上的作品好像更精些):http://www.flickr.com/photos/samuelbradleyphotography/

2.9 : 旗爷推荐的

http://www.satomishirai.com/index.html

好看的荷兰电子杂志:

http://www.groundmagazine.org/index.html

从contributors的列表里可以找到好多不错的摄影师

http://www.groundmagazine.org/main/contact.html

0 notes

不明的风景(篝火展前言)

这是renyue过去给篝火展(http://www.douban.com/event/10571486/)写的一篇文章。去年旗子找到它,然后我们在大别野或者别的什么地方一起激动地讨论过它。总而言之,我觉得写得蛮好的。

“在Alec Soth这个在艺术界迅速蹿红的新一代摄影师身上,似乎也寄托了中国年轻摄影师的梦想:羞涩内敛的摄影师,大画幅相机的冷静,沿密西西比河独自前行,做自己的事情。”被戳中了呀。

——————————————————————————

  参与这个展览的所有摄影师,大多数我都没有见过,但所有的人却都似曾相识。正因为这样,当他们把已经组织好的作品呈现在我面前的时候,我并不满意——这不是他们。
  我不知道这些年轻摄影师为何选择“风景”这个主题来呈现他们原本多样的面貌,但他们自己构思的这个主题,以及所设定的这种围坐在“篝火”旁取暖畅聊的状态,却从另外一个角度帮助我解读他们的作品。
  作为在工业时代,以及互联网虚拟环境中成长起来的一代人,风景其实已经与他们的生活远离。他们作品中城市景观与自然风景晦涩的混合,以及其中 体现出来的出奇一致的冷静、无动于衷的表达,在阿诺德•豪泽尔研究视觉艺术与社会经济发展的议题中,兴许可以找到阅读的线索。在豪泽尔看来,“印象主义可 谓是一种城市艺术,是通过城市居民的眼睛来认识和理解住在这些新的现代都市中的新的社会阶层,在他们的作品中透露出一种孤独、避世的经验以及过度敏锐的感 知能力。”这一代摄影师所持有的这种“城市居民的眼光”,是和他们父辈最大的不同。经济的发展和平稳的生活,并没有给他们带来更大的快乐。这些伴随着中国 城市化进程长大的新一代,他们的镜头对准风景,却与风景无关;貌似写实,其实或许也可以称之为一种“印象主义”,投射出他们自己的情感——是孤独的怀乡思 绪,却也同时是对喧嚣现实的一种妥协。
  我在阅读他们的照片的时候,时常会痛恨作品中弥漫的这种粘稠的,态度不明的语言风格,我希望他们能够尖锐起来,却又发现,这是夹缝中的这代人的无奈。
  他们处于一个变革的中国,消费文化席卷全球,整个社会对经济利益的追求及其带来的压迫,使得理想成为奢侈之物。但对一种“纯洁”之物 的渴望,却是每个年轻个体在成长道路中必经的阶段。相机对不明风景的定格,是他们对自身处境的下意识表达,是藉由相机的一种反抗,却也是藉由相机的一种逃 避。
  他们还面临着另外一重尴尬,这是网络世界中的理想国与现实的反差。
  中国没有完善的艺术教育体制,他们的摄影教育是在互联网上完成的。网络打开了新视界,这不仅使他们稔熟各种摄影流派与大师、最新的艺术资讯,也让他们得以通过博客构建自己的领土,并且彼此“链接”在一起。在这个世界里,网名替代了真名,可以相互取暖,相互鼓励。
  但是,网络发达的信息却同时也使他们成为处于西方话语主导的艺术世界,与仍然蹒跚学步的中国艺术发展现状的夹缝中的一代。暴露在他们面前的这个完全西化的艺术世界,和中国的现状格格不入。
  在Alec Soth这个在艺术界迅速蹿红的新一代摄影师身上,似乎也寄托了中国年轻摄影师的梦想:羞涩内敛的摄影师,大画幅相机的冷静,沿密西西比河独自前行,做自己的事情。
  但是,Alec Soth背后还有另一串关联词: 惠特尼双年展,马格南,高古轩画廊,策展,评论。而另一方面,Alec Soth的博客已经荒芜很久;他的新作以一部比一部更为快的速度仓促出炉。
  透过网络世界所看到的,是世界虚拟的一面,在其和现实世界的咬合过程中,犹如拨开洋葱后,一层一层逐渐被氧化,清白迅速被玷污。当下的中国,没有平台,没有评价体制,当下的艺术界,被金钱和名利把持。
  于是,面对这个从网络中走出的展览,我被一大堆问号所折磨,他们的下一步会是什么?
  从网络回到现实,他们则必须和体制交锋,这个体制包括中国的旧体制,由经济利益操控的画廊体制,由西方人把握话语权的艺术评价机制。
  他们要给自己以更清晰的身份定位,还不得不应对这样一些问题:这些自发的摄影,如何才能转变成职业的摄影,甚至是否有必要成为一种职业摄影?
  他们还要面对我们周围日益残酷的现实风景,那已不再是他们镜头中的静谧气氛,城市无限扩大,推土机翻卷出一片片尘埃,故乡已经沦陷,你捧着种子无处安放。
  我不知道他们是否已经准备好了回答这些问题。这个影展,它是一个宣言,还是仅仅只是一场聚会?
  我期待他们的答案,也希望能够和他们一同携手寻找答案,并希望那将不再是不明的风景。
  
  任悦

———-

嗯嗯写得很到位,特别是“态度不明”四个字,我觉得内地吉跋猫的主要问题就是有点故作姿态,你觉得不?就是照片的像场啊、气势啊、点啊什么的,其实超过了照片本身。就还是在模仿的阶段。我感觉renyue批评的点就是国内吉跋猫与国内现实太脱节了,“面对我们周围日益残酷的现实风景,那已不再是他们镜头中的静谧气氛”,就是只学了形,没学到神。换句话说,只学了Alec Soth照片的赶脚,但是没人真像他那样扛着大画幅顺流而下吧?这些体验反映在作品里,有就是有,没有就是没有。(真想和你一起扛着相机把长江走一遍呀宝宝)

但文章里还是有几个地方我不同意。第一个是renyue混淆了Expressionism(表现主义)和Impressionism(印象主义),renyue文中所说的印象主义,实际上应该是表现主义。另外她说Alec Soth的画册越出越仓促,我反对。他的画册出得快是因为最近几年他都在捣鼓自出版,不走传统的发行路线,自然会快很多,干嘛非要像传统那样在大出版社排队?快怎么都错了呢?而且他最近的作品没有任何退步之处,至少我看不出来。还有就是,其实互联网背景下聚集的不仅是吉跋哥,更多的其实是poco、无忌这些老年摄影哥吧?吉跋哥走上吉跋之路,是不是和刻意与这些人区别开也有关系?这两天我看了蛋爷爷和Stephen Shore的画册,这两位大爷真是碉堡了,毫无造作,自然而然啊,这是真牛逼,也不拍什么吉跋猫,但就是屌,宝贝回北京我就寄给你。

不过总的来说,我觉得国内拍照哥走吉跋猫的路数还是挺好的,毕竟这个难度不大,而且相比而言,还是挺艺术的……慢慢来吧,至少起步得起艺术了。

哎呀还是我的宝贝拍得最好=3=